clea

In my artistic practice I question the myth of ourselves as autonomous beings.

How can the nature-culture divide be transformed into nature-culture entanglements?


I move in the borderland between our present and future. I investigate the outskirts as in ‘We were never autonomous’. Who is the forest as in the artwork ‘Being with the forest’. Reconciliation as in 'A love letter'. Water as a war zone as in ’La mer la mère’ or mental arrivals as in 'Dictionary of transistion'.


With the help of video, sound and installations, I try to make complex relationships visible in investigative,

cross-border and site-specific narratives.